Tag Archives: aestheticism
The Ephrussis of Paris and Vienna
The Ephrussis of Paris and Vienna The book I’ve just finished reading had an impact on me greater than any book I can remember. By impact, I don’t mean long-term influence on my heart or mind. I mean something like … Continue reading
Posted in Absolute Freedom and Terror, absurdism, academe, action, afterlife, alienation, art, art of living, atheism, autonomy, beauty, Biblical God, books, Christianity, cities, class, conformism, contemplation, contradictions, cultural politics, culture, desire, dialectic, erotic life, eternity, ethics, evil, existentialism, exploitation, faith, fashion, femininity, freedom, friendship, glitterati, guilt and innocence, Hegel, hegemony, hidden God, hierarchy, history, history of ideas, id, ideality, identity, ideology, idolatry, immorality, institutional power, Jews, Judaism, law, legal responsibility, life and death struggle, literature, martyrdom, memoir, memory, modernism, moral action, moral evaluation, moral psychology, morality, mortality, nineteenth-century, ontology, oppression, past and future, Phenomenology of the Mind, political, political movements, politics of ideas, postmodernism, power, presence, promissory notes, propaganda, psychology, public facade, race, reductionism, relationships, religion, roles, secular, seduction, self-deception, social climbing, social construction, social conventions, social ranking, spiritual journey, spiritual not religious, status, status of women, suffering, terror, terrorism, the examined life, the problematic of men, the problematic of woman, the profane, the sacred, theology, time, twentieth century, twenty-first century, victimhood, victims, violence, war, work, writing, Zeitgeist
Tagged Abigail L. Rosenthal's "A Good Look at Evil", aestheticism, anti-Dreyfusards, arriviste, bibelot, blessing of Abraham, boomerang effect, Charles Swann, collector’s item, covenantal blessing, cultural outsiders, cultural resentment, cultural roots, Degas, Dreyfus Case, Edmund de Waal's The Hare With Amber Eyes: A Hidden Inheritance, emulating the natives, Ephrussi family, European-ness, evil of Nazism, fanaticism, faux-Parisians, faux-Viennese, filial piety, French survivor, Gestapo looting, haute bourgeoisie, high society, Holocaust literature, host culture, Impressionist patron, Impressionists, influential books, inheritance, Jewish banking families, Jewish success, Marcel Proust’s In Quest of Lost Time, memoirs of survivors, mob action, moral certainty, Nazi clergy, Nazi memoirs, Nazi trial transcripts, Nazis in Vienna, netsuke, nouveaux riches, Odessa, Odessa chief rabbi, Odessa in the 19th-century, Paris, Proustian narrator, Rav Tsair, Renoir, Rothschilds, Russian schoolgirl, secularized Europe, secularlism, sepia photograph, state propaganda, sumptuous dinners, tastemakers, tchotchke, the beautiful people, the best circles, theological rationalizations, Tsarist Russia, unintended consequences, University of Lausanne, Vienna, witnessing
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Nostalgia and Yearning
Nostalgia and Yearning For most of my life, I’ve lived under a low-hanging cloud of yearning. The Germans call it Sehnsucht. It’s romantic longing for a fog-enshrouded, mystery-enfolded, beckoning future. It’s the kind of longing depicted in the movie, “Wuthering … Continue reading
Posted in action, afterlife, alienation, anthropology, art, art of living, autonomy, beauty, Bible, childhood, chivalry, Christianity, cities, contemplation, contradictions, cool, courage, courtship, culture, desire, dialectic, erotic life, eternity, ethics, evil, existentialism, faith, fashion, femininity, feminism, films, freedom, friendship, gender balance, guilt and innocence, health, heroes, hidden God, history, history of ideas, idealism, ideality, identity, idolatry, immortality, institutional power, Jews, life and death struggle, literature, love, male power, martyrdom, masculinity, master, medieval, memoir, memory, mind control, modernism, mortality, mysticism, nineteenth-century, non-violence, ontology, oppression, past and future, peace, Phenomenology of the Mind, philosophy, poetry, political, political movements, power, propaganda, psychology, public intellectual, reductionism, relationships, religion, Renaissance, roles, romanticism, seduction, sex appeal, sexuality, social conventions, sociobiology, spirituality, suffering, terror, the examined life, the problematic of men, the problematic of woman, theism, time, twentieth century, twenty-first century, Utopia, violence, war, work, writing, Zeitgeist
Tagged acceptance, aestheticism, aesthetics, alchemy, ancient Egypt, ancient Israel, Anya Seton, Anya's Seton's Green Darkness, art as a cultural marker, beautiful art, being centered, belonging, bodice busters, Carnegie Museum, creativity, curators, curators' fads, daydreams, doomed lovers, Egyptian mummies, Egyptian tombs, Egyptian wall paintings, El Al flight, Emily Brontë, Emily Brontë's Wuthering Heights, equilibrium, estrangement, Fine art, Germany in the 1930s, girlhood, girlhood fancies, Goethe, Goethe's The Sorrows of Young Werther, gothic romance, Hollywood films, Holocaust, home sickness, homecoming, hypnotic regression, idealization, idealized future, idealized past, imagination, Lawrence Olivier, life balance, living in the now, Merle Oberon, Metropolitan Museum, modern Israel, museum goers, Native American art, Nazi period, nostalgia, Old Hollywood films, ordinary life, past life regressions, Peace, place in history, present world, projection, recognition, reincarnation, relics, repetition, retrospection, return, reunion, romantic suicide, Sehnsucht, Shoah, star-crossed lovers, stately homes, Stefan Zweig's "The World of Yesterday", suicide cult, the moors, The Romantic Movement, Thomas Mann's Joseph and His Brothers, time travel, Tudor times, Turner Classics, typee, world of tomorrow, yearning
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