Tag Archives: doomed lovers
Nostalgia and Yearning
Nostalgia and Yearning For most of my life, I’ve lived under a low-hanging cloud of yearning. The Germans call it Sehnsucht. It’s romantic longing for a fog-enshrouded, mystery-enfolded, beckoning future. It’s the kind of longing depicted in the movie, “Wuthering … Continue reading
Posted in action, afterlife, alienation, anthropology, art, art of living, autonomy, beauty, Bible, childhood, chivalry, Christianity, cities, contemplation, contradictions, cool, courage, courtship, culture, desire, dialectic, erotic life, eternity, ethics, evil, existentialism, faith, fashion, femininity, feminism, films, freedom, friendship, gender balance, guilt and innocence, health, heroes, hidden God, history, history of ideas, idealism, ideality, identity, idolatry, immortality, institutional power, Jews, life and death struggle, literature, love, male power, martyrdom, masculinity, master, medieval, memoir, memory, mind control, modernism, mortality, mysticism, nineteenth-century, non-violence, ontology, oppression, past and future, peace, Phenomenology of the Mind, philosophy, poetry, political, political movements, power, propaganda, psychology, public intellectual, reductionism, relationships, religion, Renaissance, roles, romanticism, seduction, sex appeal, sexuality, social conventions, sociobiology, spirituality, suffering, terror, the examined life, the problematic of men, the problematic of woman, theism, time, twentieth century, twenty-first century, Utopia, violence, war, work, writing, Zeitgeist
Tagged acceptance, aestheticism, aesthetics, alchemy, ancient Egypt, ancient Israel, Anya Seton, Anya's Seton's Green Darkness, art as a cultural marker, beautiful art, being centered, belonging, bodice busters, Carnegie Museum, creativity, curators, curators' fads, daydreams, doomed lovers, Egyptian mummies, Egyptian tombs, Egyptian wall paintings, El Al flight, Emily Brontë, Emily Brontë's Wuthering Heights, equilibrium, estrangement, Fine art, Germany in the 1930s, girlhood, girlhood fancies, Goethe, Goethe's The Sorrows of Young Werther, gothic romance, Hollywood films, Holocaust, home sickness, homecoming, hypnotic regression, idealization, idealized future, idealized past, imagination, Lawrence Olivier, life balance, living in the now, Merle Oberon, Metropolitan Museum, modern Israel, museum goers, Native American art, Nazi period, nostalgia, Old Hollywood films, ordinary life, past life regressions, Peace, place in history, present world, projection, recognition, reincarnation, relics, repetition, retrospection, return, reunion, romantic suicide, Sehnsucht, Shoah, star-crossed lovers, stately homes, Stefan Zweig's "The World of Yesterday", suicide cult, the moors, The Romantic Movement, Thomas Mann's Joseph and His Brothers, time travel, Tudor times, Turner Classics, typee, world of tomorrow, yearning
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“Dante’s Lovers”
“Dante’s Lovers” There is a circle of hell, not very far down but definitely under the white line of redemption, where Dante places a certain species of doomed lover. There the enchanted couples pursue each other and, it seems, are … Continue reading
Posted in alienation, chivalry, courtship, culture, desire, erotic life, evil, faith, femininity, gender balance, guilt and innocence, identity, idolatry, literature, love, male power, memoir, poetry, power, psychology, relationships, roles, seduction, sex appeal, slave, spirituality, suffering, the examined life, the problematic of woman, theism, time, twentieth century, Zeitgeist
Tagged "getting religion", "Lydia", "Now Voyager", "Ode on a Grecian Urn", addiction, attraction, Bette Davis, blind devotion, courtship, cynicism, Dante, doomed lovers, Francesca da Rimini and Paolo Malatesta, fulfillment, hell, hope, idyll, infatuation, John Keats, longing, lust, Merle Oberon, projection, romantic fantasy, sacrificial love, scorned lovers, second circle, seduction, self-deception, tease, unrequited love
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