Tag Archives: Impressionist patron
The Ephrussis of Paris and Vienna
The Ephrussis of Paris and Vienna The book I’ve just finished reading had an impact on me greater than any book I can remember. By impact, I don’t mean long-term influence on my heart or mind. I mean something like … Continue reading
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Tagged Abigail L. Rosenthal's "A Good Look at Evil", aestheticism, anti-Dreyfusards, arriviste, bibelot, blessing of Abraham, boomerang effect, Charles Swann, collector’s item, covenantal blessing, cultural outsiders, cultural resentment, cultural roots, Degas, Dreyfus Case, Edmund de Waal's The Hare With Amber Eyes: A Hidden Inheritance, emulating the natives, Ephrussi family, European-ness, evil of Nazism, fanaticism, faux-Parisians, faux-Viennese, filial piety, French survivor, Gestapo looting, haute bourgeoisie, high society, Holocaust literature, host culture, Impressionist patron, Impressionists, influential books, inheritance, Jewish banking families, Jewish success, Marcel Proust’s In Quest of Lost Time, memoirs of survivors, mob action, moral certainty, Nazi clergy, Nazi memoirs, Nazi trial transcripts, Nazis in Vienna, netsuke, nouveaux riches, Odessa, Odessa chief rabbi, Odessa in the 19th-century, Paris, Proustian narrator, Rav Tsair, Renoir, Rothschilds, Russian schoolgirl, secularized Europe, secularlism, sepia photograph, state propaganda, sumptuous dinners, tastemakers, tchotchke, the beautiful people, the best circles, theological rationalizations, Tsarist Russia, unintended consequences, University of Lausanne, Vienna, witnessing
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