Tag Archives: Neue Gallerie
The Big City and Me
The Big City and Me I went to New York for an overnight last Thursday. This trip had been postponed for at least a year, during which I was dealing with one huge difficulty after another. Through the times and … Continue reading →
Posted in Absolute Freedom and Terror, absurdism, academe, action, alienation, American politics, anthropology, art, art of living, autonomy, books, childhood, cities, class, conformism, contemplation, contradictions, cool, courage, courtship, cultural politics, culture, desire, dialectic, erotic life, eternity, ethics, evil, existentialism, exploitation, faith, fashion, femininity, feminism, freedom, friendship, gender balance, glitterati, guilt and innocence, health, hegemony, heroes, hidden God, hierarchy, history, history of ideas, idealism, ideality, identity, ideology, idolatry, immorality, institutional power, Jews, journalism, Judaism, law, legal responsibility, life and death struggle, literature, love, male power, martyrdom, masculinity, master/slave relation, memoir, memory, mind control, modernism, moral action, moral evaluation, moral psychology, morality, mortality, motherhood, mysticism, novels, ontology, oppression, past and future, peace, Phenomenology of the Mind, philosophy, political, political movements, politics of ideas, postmodernism, power, presence, promissory notes, propaganda, psychology, public facade, public intellectual, radicalism, reading, reductionism, relationships, roles, romantic love, secular, seduction, self-deception, sex appeal, social climbing, social construction, social conventions, social ranking, spiritual journey, spiritual not religious, spirituality, status, status of women, suffering, the examined life, the problematic of men, the problematic of woman, the profane, the sacred, time, twentieth century, twenty-first century, victims, violence, work, writing, Zeitgeist
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Tagged 20th century critic, 51st Street, a writer’s honor, Abigail L. Rosenthal's "A Good Look at Evil", Alice’s Teacup, authenticity and success, Barbara Fisher, Barnard College, biography, Cafe Sabarsky, catching spies, Columbia University class of 1925, con artist, conservationists, Diana Trilling, easy mark, embezzeler, FBI raid, feminist activists, FGM, formative experiences, Frank and Ada Graham, friend of the arts, German U-boats, German/Austrian 20th century art museum, Henry M. Rosenthal, hollow words, honor killing, ill-gotten gains, integrity, Laurin Raiken, Leo Bronstein, life savings, Lionel and Henry, Lionel Trilling, Maine people, male friendship, meaning what you say, Meyer Schapiro, mitzvah, mystically sensitive, Nazi spy, Nazi spy ring, Neue Gallerie, New York City, New York in World War II, NYU Gallatin Division, old friends, Phyllis Chesler, Phyllis Chesler’s A Politically Incorrect Feminist: Creating a Movement with Bitches Lunatics Dykes Prodigies Warriors and Wonder Women, Phyllis Chesler’s The New Anti-Semitism, political courage, power street, Public Intellectual, reunions, righteous action, saving the earth, sense of place, short wave radio, sisterhood, street smarts, teacher/student relation, The Big City, The Country Mouse and the City Mouse, U-boats off New York, Viennese café, you can go home again, you can’t take it with you
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Landscapes of the Heart
Landscapes of the Heart I hadn’t been to Manhattan (my home town) in over two years. But last week I went into town to meet my life-long friends, Frank and Ada, at the Neue Gallerie on 86th and Fifth. That’s … Continue reading →
Posted in Absolute Freedom and Terror, action, afterlife, alienation, anthropology, art, art of living, autonomy, beauty, Bible, childhood, Christianity, cities, contemplation, contradictions, cool, courage, culture, desire, dialectic, eighteenth century, erotic life, eternity, ethics, evil, existentialism, faith, fashion, femininity, feminism, freedom, friendship, gender balance, guilt and innocence, health, hidden God, history, history of ideas, idealism, ideality, identity, immortality, Jews, legal responsibility, life and death struggle, literature, love, memoir, memory, modernism, mortality, nineteenth-century, oppression, past and future, peace, political movements, power, propaganda, psychology, reductionism, relationships, religion, roles, romance, seduction, sex appeal, sexuality, social conventions, spirituality, suffering, terror, the examined life, the problematic of men, the problematic of woman, theism, theology, time, twentieth century, twenty-first century, work, writing, Zeitgeist
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Tagged 9/11/01, ancient regime, art gallery, artifacts, Austro-Hungarian Empire, Buddhist, cab drivers, Central Park, character assasination, Christian, city life, civic life, civic wounds, coquettrie, court painter, deal-making, death, death scenes, defamation, dorm life, dying, eavesdropping, Edvard Munch, Edvard Munch's "The Scream", energy, Evangelical Christian, Existential dilemmas, farewells, feminine intelligence, French Revolution, German Expressionism, gossip, graveyards, guillotine, healing, Hebrew prayer, homesickness, igneous rock, internet shopping, landscape, last words, love of New York, love of Texas, Lower Manhattan, Loyalty, Marie Antoinette, mourning, Neue Gallerie, New World Trade Center, New Yorkers, Norwegian painters, nostalgia, painting, personal identity, pied à terre, portrait painting, psalm, rebirth, recollection, Reign of Terror, repair process, reputation, resurrection, skyline, skyscrapers, slander, small shops, small town life, social wounds, sociopaths, soul of a city, Spring, Twin Towers, Viennese cafés, Viennese pastries, Vigée Le Brun, will to live, World Trade Center, World War I, wounds
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