Tag Archives: Lionel and Henry
The Big City and Me
The Big City and Me I went to New York for an overnight last Thursday. This trip had been postponed for at least a year, during which I was dealing with one huge difficulty after another. Through the times and … Continue reading →
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Tagged 20th century critic, 51st Street, a writer’s honor, Abigail L. Rosenthal's "A Good Look at Evil", Alice’s Teacup, authenticity and success, Barbara Fisher, Barnard College, biography, Cafe Sabarsky, catching spies, Columbia University class of 1925, con artist, conservationists, Diana Trilling, easy mark, embezzeler, FBI raid, feminist activists, FGM, formative experiences, Frank and Ada Graham, friend of the arts, German U-boats, German/Austrian 20th century art museum, Henry M. Rosenthal, hollow words, honor killing, ill-gotten gains, integrity, Laurin Raiken, Leo Bronstein, life savings, Lionel and Henry, Lionel Trilling, Maine people, male friendship, meaning what you say, Meyer Schapiro, mitzvah, mystically sensitive, Nazi spy, Nazi spy ring, Neue Gallerie, New York City, New York in World War II, NYU Gallatin Division, old friends, Phyllis Chesler, Phyllis Chesler’s A Politically Incorrect Feminist: Creating a Movement with Bitches Lunatics Dykes Prodigies Warriors and Wonder Women, Phyllis Chesler’s The New Anti-Semitism, political courage, power street, Public Intellectual, reunions, righteous action, saving the earth, sense of place, short wave radio, sisterhood, street smarts, teacher/student relation, The Big City, The Country Mouse and the City Mouse, U-boats off New York, Viennese café, you can go home again, you can’t take it with you
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