Tag Archives: le coup de foudre
From the Horse’s Mouth
My latest ride at what I shall call The Metaphysical Stables has proved particularly gratifying. This time Legacy, the mid-sized, hairy dog, did not sit on my lap while I waited for Dusty to be saddled and bridled. One front … Continue reading →
Posted in "Absolute Freedom and Terror", Absurdism, Academe, Action, Afterlife, Alienation, American Politics, Anthropology, Art, Art of Living, Atheism, Autonomy, bad faith, beauty, Bible, Biblical God, bigotry, books, bureaucracy, Childhood, Chivalry, Christianity, Cities, Class, conformism, Contemplation, Contradictions, Cool, Courage, Courtship, cults, Cultural Politics, Culture, Desire, dialectic, Erotic Life, Eternity, Ethics, Evil, Existentialism, exploitation, Faith, Fashion, Female Power, Femininity, Feminism, Freedom, Friendship, Gender Balance, glitterati, Gnosticism, Guilt and Innocence, Health, Hegel, hegemony, Heroes, hidden God, hierarchy, History, history of ideas, ID, idealism, Idealism, Ideality, Identity, Ideology, Idolatry, Immorality, Immortality, Institutional Power, Jews, Journalism, Judaism, Law, Legal Responsibility, life and death struggle, Literature, Love, Male Power, Martyrdom, Masculinity, master, master/slave relation, Medieval, memory, Messianic Age, Mind Control, Modern Women, Modernism, Moral action, Moral evaluation, Moral psychology, morality, Mortality, Mysticism, nineteenth-century, non-violence, novels, Ontology, Oppression, Past and Future, Peace, Phenomenology of Mind, Philosophy, Poetry, Political Movements, politics of ideas, post modernism, Power, presence, promissory notes, Propaganda, Psychology, public facade, Public Intellectual, radicalism, Reading, Reductionism, relationships, Religion, Roles, Romance, Romantic Love, Romanticism, scientism, secular, Seduction, self-deception, Sex Appeal, Sexuality, slave, social climbing, social construction, Social Conventions, social ranking, Sociobiology, spiritual journey, spiritual not religious, Spirituality, status, status of women, Suffering, The Examined Life, The Problematic of Men, The Problematic of Woman, the profane, the sacred, Theism, Theology, Time, twentieth century, twenty-first century, Utopia, victimhood, victims, Work, Writing, Zeitgeist
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Tagged academic revolutionary, aesthetics of anti-semitism, ambivalence toward Jews in literature, American anti-semites, American Zionists, animal communication, animal interpreter, anti-semitism as spiritual refusal, armchair radicalism, cafe marxism, cafe revolutionary, Camelot the musical, can’t fool your dog, coming to terms with parents, curing anti-semitism, daughter of a genius, dog as a good judge of character, double life, emotional intelligence in animals, escaping a parent’s shadow, ethical pretense, female as victim, finding the Right One, first love, grand passion, Henry M. Rosenthal, his and her perspectives, horse sense, horse sense vs psychotherapy, Jewish fathers and daughters in literature, Jews in English literature, knights and their ladies, le coup de foudre, living a contradiction, living in a parent’s shadow, love at first sight, men’s romantic suffering, outward success inward distress, Parisian intellectuals, Parisian Men of the Left, pretense of concern for the oppressed, professional success vs personal failure, public facade vs private suffering, recognizing a man of God, recovering from first love, redeeming femininity, refusal of the divine, refusal of the God of history, revisiting memories, romantic disappointment, romantic disillusionment, Romantic memory, seduced and abandoned, seductive idealization, seductive ploys, self judgment, spiritual ambivalence toward the Jews, spiritual refusal, talking one way living another, The 36 righteous, the eternal feminine, the horse’s mouth, the man’s viewpoint, the metaphysical stables, the stroke of lightning, theological insight, Thomas Altizer, time’s winged chariot, Tristan and Iseult, turning around of the soul, unintegrated life, unresolved romance, Walter Russell Mead’s The Ark of a Covenant: The United States Israel and the Fate of the Jewish People, womanly understanding, working through memories, worldly honors
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Men on the Timeline
Men on the Timeline The other night I was at the Franco-Tunisian café where I go to get some of my writing done. A sizeable group had taken one side of the section where I found a round table. They … Continue reading →
Posted in "Absolute Freedom and Terror", Absurdism, Academe, Action, Alienation, American Politics, Anthropology, Art, Art of Living, Atheism, Autonomy, bigotry, Chivalry, Cities, Class, conformism, Contemplation, Contradictions, Cool, Courage, Cultural Politics, Culture, Desire, dialectic, Erotic Life, Eternity, Ethics, Evil, Existentialism, exploitation, Faith, Fashion, Femininity, Feminism, Films, Freedom, Friendship, Gender Balance, glitterati, Gnosticism, Guilt and Innocence, hegemony, Heroes, hidden God, hierarchy, history of ideas, ID, Idealism, Ideality, Identity, Ideology, Idolatry, Immorality, Institutional Power, Legal Responsibility, life and death struggle, Love, Male Power, Masculinity, master/slave relation, Memoir, memory, Mind Control, Modernism, Moral action, Moral evaluation, Moral psychology, morality, Oppression, Past and Future, Phenomenology of Mind, Philosophy, politics, politics of ideas, post modernism, Power, presence, promissory notes, Propaganda, Psychology, public facade, Public Intellectual, Race, Reductionism, relationships, Roles, Romance, Romantic Love, secular, Seduction, self-deception, Sex Appeal, Sexuality, social climbing, social construction, Social Conventions, social ranking, Sociobiology, spiritual journey, status, status of women, Suffering, The Examined Life, The Problematic of Men, The Problematic of Woman, the profane, the sacred, Theism, Theology, Time, twentieth century, twenty-first century, victimhood, victims, Violence, Work, Writing, Zeitgeist
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Tagged #metoo, a false life, artists under communism, award-winning films, believing in nothing, believing propaganda, black and white film, breaking faith, cafe eavesdropping, chivalry, classy cafe, communism v capitalism, communist-ruled Poland, condescension, deflecting advances, enabling sexism, escape to Paris, feminist preoccupations, foreign films, France, Franco-Tunisian cafe, grotesque sexism, heaven protect the working girl, high-end customers, human interconnectedness, ideality in men, ideology, inauthenticity, Iron Curtain, le coup de foudre, local diner, loss of faith, loss of trust, love without history, male protectiveness, male pushback, male revenge, manipulativeness, men who can cry, men’s new roles, night on the town, nihilism, out of line remarks, outmoded sexism, Paris, Parisian memories, Pawel Pawlikowski’s Cold War, permission to protest, Poland, Polish films, positive male role models, power advantage, pre-feminist days, pretended feminists, psychic interconnectedness, put downs, realistic men, redefining women, redefining women’s lives, reliable men, restaurant eavesdropping, romantic films, sensitivity training, sexist backlash, shared world, the French erotic model, the law of the brute, the party line, Tristan and Isolde, tunnel vision, uncalled for remarks, Upper Bohemia, what women want, women sharing a secret, women’s assertiveness, women’s self-definition, writers at cafes
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