Tag Archives: men’s new roles
Men on the Timeline
Men on the Timeline The other night I was at the Franco-Tunisian café where I go to get some of my writing done. A sizeable group had taken one side of the section where I found a round table. They … Continue reading →
Posted in Absolute Freedom and Terror, absurdism, academe, action, alienation, American politics, anthropology, art, art of living, atheism, autonomy, bigotry, chivalry, cities, class, conformism, contemplation, contradictions, cool, courage, cultural politics, culture, desire, dialectic, erotic life, eternity, ethics, evil, existentialism, exploitation, faith, fashion, femininity, feminism, films, freedom, friendship, gender balance, glitterati, Gnosticism, guilt and innocence, hegemony, heroes, hidden God, hierarchy, history of ideas, id, idealism, ideality, identity, ideology, idolatry, immorality, institutional power, legal responsibility, life and death struggle, love, male power, masculinity, master/slave relation, memoir, memory, mind control, modernism, moral action, moral evaluation, moral psychology, morality, oppression, past and future, Phenomenology of the Mind, philosophy, politics, politics of ideas, postmodernism, power, presence, promissory notes, propaganda, psychology, public facade, public intellectual, race, reductionism, relationships, roles, romance, romantic love, secular, seduction, self-deception, sex appeal, sexuality, social climbing, social construction, social conventions, social ranking, sociobiology, spiritual journey, status, status of women, suffering, the examined life, the problematic of men, the problematic of woman, the profane, the sacred, theism, theology, time, twentieth century, twenty-first century, victimhood, victims, violence, work, writing, Zeitgeist
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Tagged #metoo, a false life, artists under communism, award-winning films, believing in nothing, believing propaganda, black and white film, breaking faith, cafe eavesdropping, chivalry, classy cafe, communism v capitalism, communist-ruled Poland, condescension, deflecting advances, enabling sexism, escape to Paris, feminist preoccupations, foreign films, France, Franco-Tunisian cafe, grotesque sexism, heaven protect the working girl, high-end customers, human interconnectedness, ideality in men, ideology, inauthenticity, Iron Curtain, le coup de foudre, local diner, loss of faith, loss of trust, love without history, male protectiveness, male pushback, male revenge, manipulativeness, men who can cry, men’s new roles, night on the town, nihilism, out of line remarks, outmoded sexism, Paris, Parisian memories, Pawel Pawlikowski’s Cold War, permission to protest, Poland, Polish films, positive male role models, power advantage, pre-feminist days, pretended feminists, psychic interconnectedness, put downs, realistic men, redefining women, redefining women’s lives, reliable men, restaurant eavesdropping, romantic films, sensitivity training, sexist backlash, shared world, the French erotic model, the law of the brute, the party line, Tristan and Isolde, tunnel vision, uncalled for remarks, Upper Bohemia, what women want, women sharing a secret, women’s assertiveness, women’s self-definition, writers at cafes
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