Tag Archives: Judith Butler’s primal scene
Feminism with Something to Hide
When I was a girl, nobody thought women weren’t liberated. Heck, we had the vote. We could get as educated as we wanted to be. We could get hired for jobs formerly reserved for men. Of course, we had to … Continue reading
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Tagged 15 minutes of fame, Abigail L. Rosenthal’s Confessions of a Young Philosopher, academic feminism, American courtship patterns, American Fulbrights in Paris, birth of the unconscious, Confessions of a Young Philosopher by Abigail L. Rosenthal, dystopia, European feminine know-how, European vs American courtship, European women, extravagant courtship, fallacies of argument, fame, fame and feminism, fashionably Oppressed, fashions in oppression, Feminism, feminism and dialectic, Feminism and Freudian theory, feminism as performance, feminism past and present, feminist power, fictional self-disclosure, forgiving one’s self, formation of the “I”, formation of the unconscious, Fulbright Fellows, Fulbright Fellows in Paris, girdles nylons and virginity, infantile trauma, influential intellectuals, intellectual power, intellectuals and culture, Judith Butler and Hegel, Judith Butler’s feminism, Judith Butler’s Giving an Account of Oneself, Judith Butler’s primal scene, life before feminism, older and wiser, personal relations and risk, philosophical dialogue, pre-feminist marriage deadline, pre-feminist women, pseudo-arguments, self and social conditions, self mistrust, self repair, self-formation, sense of self, social conditions and self-formation, social conditions and self-knowledge, social status of truth, telling one’s story, telling one’s truth, the American script for women, truth about oneself, unfashionable oppression, women’s experience, women’s liberation, women’s reality vs ideology, women’s wisdom
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