Tag Archives: American courtship patterns
Feminism with Something to Hide
When I was a girl, nobody thought women weren’t liberated. Heck, we had the vote. We could get as educated as we wanted to be. We could get hired for jobs formerly reserved for men. Of course, we had to … Continue reading
Posted in Absolute Freedom and Terror, absurdism, academe, action, afterlife, agnosticism, alienation, American politics, anthropology, anti-semitism, appreciation, art, art of living, atheism, authenticity, autonomy, bad faith, beauty, Bible, Biblical God, bigotry, book reviews, books, bureaucracy, childhood, chivalry, Christianity, cities, class, conformism, contemplation, contradictions, cool, courage, courtship, cults, cultural politics, culture, desire, dialectic, erotic life, eternity, ethics, ethnicity, evil, existentialism, exploitation, faith, fashion, fatherhood, female power, femininity, feminism, filial piety, films, freedom, friendship, gender balance, glitterati, Gnosticism, guilt and innocence, health, Hegel, hegemony, heroes, hidden God, hierarchy, history, history of ideas, id, idealism, ideality, identity, ideology, idolatry, immorality, immortality, institutional power, Jesus, Jews, journalism, Judaism, law, legal responsibility, life and death struggle, literature, love, male power, martyrdom, masculinity, master, master/slave relation, medieval, memoir, memory, Messianic Age, mind control, modern women, modernism, moral action, moral evaluation, moral psychology, morality, mortality, motherhood, mysticism, Nihilism, nineteenth-century, non-violence, novels, ontology, oppression, pacifism, past and future, peace, Phenomenology of the Mind, philosophy, poetry, political, political movements, politics, politics of ideas, postmodernism, power, power games, presence, promissory notes, propaganda, psychology, public facade, public intellectual, race, racism, radicalism, reading, reductionism, relationships, religion, remembrance, repairing the culture, roles, romance, romantic love, romanticism, science, scientism, secular, seduction, self-deception, sex appeal, sexuality, slave, social climbing, social construction, social conventions, social ranking, sociobiology, spiritual journey, spiritual not religious, spirituality, status, status of women, suffering, terror, terrorism, the examined life, the problematic of men, the problematic of woman, the profane, the sacred, theism, theology, time, Truth, TV, twentieth century, twenty-first century, Utopia, victimhood, victims, violence, war, work, writing, Zeitgeist
Tagged 15 minutes of fame, Abigail L. Rosenthal’s Confessions of a Young Philosopher, academic feminism, American courtship patterns, American Fulbrights in Paris, birth of the unconscious, Confessions of a Young Philosopher by Abigail L. Rosenthal, dystopia, European feminine know-how, European vs American courtship, European women, extravagant courtship, fallacies of argument, fame, fame and feminism, fashionably Oppressed, fashions in oppression, Feminism, feminism and dialectic, Feminism and Freudian theory, feminism as performance, feminism past and present, feminist power, fictional self-disclosure, forgiving one’s self, formation of the “I”, formation of the unconscious, Fulbright Fellows, Fulbright Fellows in Paris, girdles nylons and virginity, infantile trauma, influential intellectuals, intellectual power, intellectuals and culture, Judith Butler and Hegel, Judith Butler’s feminism, Judith Butler’s Giving an Account of Oneself, Judith Butler’s primal scene, life before feminism, older and wiser, personal relations and risk, philosophical dialogue, pre-feminist marriage deadline, pre-feminist women, pseudo-arguments, self and social conditions, self mistrust, self repair, self-formation, sense of self, social conditions and self-formation, social conditions and self-knowledge, social status of truth, telling one’s story, telling one’s truth, the American script for women, truth about oneself, unfashionable oppression, women’s experience, women’s liberation, women’s reality vs ideology, women’s wisdom
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