Tag Archives: Jewish genius
Ancestors
How odd of God To choose the Jews. So goes the old rhyming joke, from I dunno who. Some Englishman perhaps. But allow me to step in, on behalf of God, to explain why God did that. My explanation may count as … Continue reading →
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Tagged Abrahamic religion, ancestors, being above it, bible as historical, Book of Job, chief rabbi of Odessa, chosen people, cost of life choices, covenant as divine partnership, covenant with God, divine connections, divine to human relationship, drama of assimilation, Edmund de Waal's The Hare With Amber Eyes: A Hidden Inheritance, empathy with God, family mysteries, family puzzle pieces, Family secrets, fleeing Europe, following one's heart, generational memory, God and Abraham, God in history, God in meditation, God in nature, God outside the Bible, God's footprints in history, hidden epic, history as record of action, history as record of deeds, How odd of God, inherited duties, inherited roles, inherited sorrows, Jewish destiny, Jewish genius, Jewish history, Jewish predicaments, Jewish vulnerability, Jewish week of mourning, Jews agree to the covenant, Jews and insult, Jews consent to covenant, Jews in Vienna, Jews record the covenant, justifying God, lech lecha, lifelong friendship, love or duty, native born Israeli, Nazi genocide, Neve Granot, personal affinities, Rav Tsair, Rechov Rav Tsair, religious chanting, religious rituals, Sabra, Shiva, sympathy with God, the covenant as partnership with God, the Jewish assignment, theodicy, Tom Stoppard, Tom Stoppard's Leopoldstadt, Viennese roots, walking a social tightrope, wealth as protection, Wittgensteins of Vienna, writers' conversation
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