Tag Archives: Guido Mazzoni’s Theory of the Novel
What Is Truth?
The question, famously put to Jesus by Pontius Pilate, was prompted by Jesus’ self-report that he had come to bear witness to the truth. Without capitalizing “Truth,” so that it acquires other-worldly sound-and-light effects – isn’t bearing witness to the … Continue reading →
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Tagged Abigail L. Rosenthal’s A Good Look at Evil, acculturation and maturation, aesthetic theory, bearing witness, beyond good and evil, celebration of the novel, characters in novels, children’s adaptation to grownups, continental know-it-all, cultural history, culture and meaning, culture as influence on purpose, despair as affectation, destroying the culture, discerning life purpose, discerning one’s purpose, evil defined, evildoers and innocent purposes, evildoers attacking ordinary purpose, fashionable despair, feminine self-respect, fiction and nonfiction, good and evil, Guido Mazzoni’s Theory of the Novel, initial purposes, intellectual influence, Jesus, ladies don’t believe this creep, libertine Gnosticism, life as a journey, life as a pilgrimage, life as a quest, literary criticism, literary history, mapping and purpose, moral anomie, moral flatness, mutual influence in society, nineteenth-century novels, novelistic life stories, novels and real-life, Pontius Pilate, preferred purposes, pretense of amorality, revising purposes, seducer’s line, seducing the reader, self-definition, self-discovery, self-education, self-respect, stories true and false, story as putting purpose to the test, storylines, subjectivity mischaracterized, technique of seduction, testing purposes, the nature of evil, the novel, trials and errors, true stories, truth and falsehood, truth and postmodernism, truth vs fiction, undermining the culture, What is truth?, what you see is what you get
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