Tag Archives: The High School of Music and Art
Five Coins in the Fountain
Before feminism, girls in America were expected to be “popular.” But exceptionally, in my high school, I got an exemption. So, what high school did I go to? At that time, it was generally thought both democratic and fair to … Continue reading →
Posted in Absolute Freedom and Terror, absurdism, academe, action, afterlife, agnosticism, alienation, American politics, anthropology, anti-semitism, appreciation, art, art of living, atheism, authenticity, autonomy, bad faith, beauty, Bible, Biblical Archeology, Biblical God, bigotry, book reviews, books, bureaucracy, childhood, chivalry, Christianity, cities, class, Confessions of a Young Philosopher, conformism, contemplation, contradictions, cool, courage, courtship, cults, cultural politics, culture, desire, Desire and Authenticity, dialectic, eighteenth century, erotic life, eternity, ethics, ethnicity, evil, existentialism, exploitation, faith, fashion, fatherhood, female power, femininity, feminism, filial piety, films, freedom, friendship, gender balance, glitterati, Gnosticism, guilt and innocence, health, Hegel, hegemony, heroes, hidden God, hierarchy, history, history of ideas, id, idealism, ideality, identity, ideology, idolatry, immorality, immortality, institutional power, Jesus, Jews, journalism, Judaism, law, legal responsibility, life and death struggle, literature, love, male power, Married Philosophers Discuss Confessions, martyrdom, masculinity, master, master/slave relation, medieval, memoir, memory, Messianic Age, mind control, modern women, modernism, moral action, moral evaluation, moral psychology, morality, mortality, motherhood, mysticism, Nihilism, nineteenth-century, non-violence, novels, ontology, oppression, pacifism, past and future, peace, Phenomenology of the Mind, philosophy, poetry, political, political movements, politics, politics of ideas, postmodernism, power, power games, presence, promissory notes, propaganda, psychology, public facade, public intellectual, race, racism, radicalism, reading, reductionism, relationships, religion, remembrance, Renaissance, repairing the culture, roles, romance, romantic love, romanticism, science, scientism, secular, seduction, self-deception, seventeenth century, sex appeal, sexuality, slave, social climbing, social construction, social conventions, social ranking, sociobiology, spiritual journey, spiritual not religious, spirituality, status, status of women, suffering, Suicide, terror, terrorism, the examined life, the problematic of men, the problematic of woman, the profane, the sacred, theism, theology, time, Truth, TV, twentieth century, twenty-first century, Utopia, victimhood, victims, violence, war, work, writing, Zeitgeist
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Tagged Abigail L. Rosenthal’s Confessions of a Young Philosopher, activities for college credit, anti-feminist bigotry, artistic vulnerability, brainwashing, breaking women’s silence, Bronx High School of Science, commodification of women, courtship and self-disguise, dreams of a wedding night, eligibility for gifted high schools, expected to be popular, extracurricular activities, fear of losing femininity, feminine vulnerability, femininity and innocence, femininity as a duty, femininity as a skill, femininity at risk, Feminism, feminist manifesto, gifted young painter, girls and good books, girls with good minds, girls you can’t fool, high school dreams, high school Literary Club, husbands controlling wives, imaginary fears, imaginary fears and real dangers, innocence lost, intellectual girls, intelligent unsentimental girls, intuitive sensitive women and vulnerability, intuitive young woman, losing innocence, marital brainwashing, marital domination and victimization, not forced to be popular, obligation to be feminine, old maid, originality vs femininity, path-breaking vs femininity, planning to be wonderful, poetic and romantic young woman, poetic young woman, popular girls, post-marital muddying of painter’s colors, prefeminist self-blame in women, public schools for the gifted, putting husband through grad school, reading good books, romance in Rome, romantic dreams, romantic hopes, Rome’s Fontana di Trevi, sexism, Simone de Beauvoir’s The Second Sex, Stepford wives, surviving feminism, surviving pre-feminism, teenage ambitions, the art of womanhood, the freedom of wives, The High School of Music and Art, the silence of women, the vulnerability of being feminine, three coins in the fountain, true love and the Fountain of Trevi, wedding night disappointment, wedding night hopes, wedding night reproaches, wedding night virginity, wife as patient, wife of a young doctor, wifehood and mental health, willed vulnerability, wives and women’s liberation, wives hiding their beliefs, women and self-condemnation, women friends, women not shocked by life, women who live up to their promise, women’s post-marital erasure, women’s stories
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