Tag Archives: dance of courtship
Why Women Are Mean to Other Women
Why Women Are Mean to Other Women Whew! This is a touchy subject. Almost taboo, since we are these days denominated the compassionate, caring, anti-violence sex. Labels of these kinds call to mind the way 19th-century suffragettes made the case … Continue reading →
Posted in absurdism, academe, action, alienation, American politics, anthropology, art, art of living, autonomy, beauty, chivalry, class, conformism, contemplation, contradictions, cool, courage, courtship, cultural politics, culture, desire, dialectic, erotic life, eternity, evil, existentialism, exploitation, faith, fashion, femininity, feminism, freedom, friendship, gender balance, glitterati, guilt and innocence, health, hegemony, heroes, hierarchy, history, history of ideas, idealism, ideality, identity, ideology, idolatry, immorality, institutional power, legal responsibility, life and death struggle, literature, love, male power, masculinity, master, memoir, memory, mind control, modernism, moral action, moral evaluation, moral psychology, motherhood, nineteenth-century, non-violence, oppression, pacifism, past and future, peace, philosophy, poetry, political, political movements, politics of ideas, postmodernism, power, presence, promissory notes, propaganda, psychology, public facade, public intellectual, reductionism, relationships, roles, romance, romantic love, romanticism, scientism, seduction, self-deception, sex appeal, sexuality, slave, social climbing, social construction, social conventions, social ranking, sociobiology, spiritual journey, spiritual not religious, spirituality, status, status of women, suffering, terror, the examined life, the problematic of men, the problematic of woman, the profane, the sacred, time, twentieth century, twenty-first century, Utopia, victimhood, victims, violence, war, work, writing, Zeitgeist
|
Tagged 19th century, American Philosophical Association, androgyny, anti-war women, APA, bad women, badness and goodness, cattiness, choreography, dance of courtship, domesticity, erotic polarities, female attractiveness, forging freedom, Francis Thomson’s In No Strange Land, free will, gender roles, good men, good women, gossip, helpmeet, living one’s story, male brutality, male cruelty, male/female polarity, man/woman asymmetry, man/woman choreography, manliness, maternal coldness, maternal virtues, mean girls, Mean women, moral difference, motherhood, nature v nurture, nurturing, philosophical argument, Plato’s Symposium, public v private, real men, real women, reigning orthodoxy, same-sex eros, sensitizing men, sex and gender, sex differences, sexual attraction, social constructs, suffragettes, sympathy for women, the caring sex, the compassionate sex, the feminist movement, time and fertility, timeless attraction, touchy subject, true stories, unisex, virility, winners and losers, women against violence, women against women, women in competition, women in the kitchen, women in the nursery, women’s caring, women’s compassion, yin and yang, youth and attractiveness
|
Leave a comment