Tag Archives: art history
Tintoretto
Tintoretto We spent Monday through Wednesday of the past week in the nation’s capital. Jerry had been invited to the annual Board meeting of the higher ed organization he founded, of which he’s emeritus chairman. When we were first married, … Continue reading
Posted in Absurdism, Academe, Action, Alienation, American Politics, Anthropology, Art, Art of Living, Atheism, Autonomy, beauty, Bible, Biblical God, Chivalry, Christianity, Cities, Class, conformism, Contemplation, Contradictions, Cool, Courage, Courtship, Cultural Politics, Culture, Desire, dialectic, Erotic Life, Eternity, Ethics, Existentialism, exploitation, Faith, Fashion, Femininity, Feminism, Films, Freedom, Friendship, Gender Balance, glitterati, Gnosticism, Guilt and Innocence, Health, hegemony, Heroes, hidden God, hierarchy, History, history of ideas, Ideality, Identity, Ideology, Idolatry, Immortality, Institutional Power, Literature, Love, Male Power, Masculinity, memory, Modernism, Moral psychology, morality, Mortality, novels, Ontology, Oppression, Past and Future, Peace, Philosophy, Poetry, politics of ideas, post modernism, Power, presence, Propaganda, Psychology, public facade, relationships, Religion, Renaissance, Roles, Seduction, self-deception, Sex Appeal, social climbing, social construction, Social Conventions, social ranking, spiritual journey, spiritual not religious, Spirituality, status, status of women, Suffering, The Examined Life, The Problematic of Men, The Problematic of Woman, the profane, the sacred, Theism, Theology, Time, Work, Zeitgeist
Tagged 16th century, absurdist philosophers, art and politics, art history, art museums, beauty is truth, dressing to look right, dynamic perception, emeritus chairman, extroverts, favorable impression, handicapped coping strategies, High Renaissance, higher ed organization, idealized figures, introverts, Jacopo Tintoretto, Mannerism, museum visit, neuropathy, painting and politics, paintings of holy figures, paintings of saints, perceiving art, perceiving paintings, picturing belief systems, religious paintings, Renaissance, Renaissance art, Renaissance painter, Renassaince art patrons, Renassaince portraiture, role of spouse, socializing couple, The National Gallery, the ugly truth, Tintoretto, Titian, Venetian painter, Venetian Renaissance, virtual body, visual disappointment, visual experience, visual perception, visually absurd, walking stick, Washington DC
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Léo
Léo A few days ago I took a trip to Manhattan, formerly my home town, to visit old friends. One friend was Laurin Raikin, a founder of NYU’s Gallatin Division. We’ve known each other for many years and among the … Continue reading
Posted in "Absolute Freedom and Terror", Absurdism, Academe, Action, Afterlife, Alienation, Art, Art of Living, Atheism, Autonomy, beauty, Biblical God, Childhood, Chivalry, Christianity, Cities, Class, conformism, Contemplation, Contradictions, Cool, Courage, Courtship, Cultural Politics, Culture, Desire, dialectic, Erotic Life, Eternity, Ethics, Evil, Existentialism, exploitation, Faith, Fashion, Films, Freedom, Friendship, Gender Balance, glitterati, Gnosticism, Guilt and Innocence, Health, hegemony, Heroes, hidden God, hierarchy, History, history of ideas, ID, Idealism, Ideality, Identity, Ideology, Idolatry, Immorality, Immortality, Institutional Power, Jews, Judaism, life and death struggle, Literature, Love, Male Power, Martyrdom, Masculinity, master, Memoir, memory, Messianic Age, Modernism, Moral action, Moral evaluation, Moral psychology, Mortality, Mysticism, non-violence, Ontology, Oppression, Past and Future, Peace, Philosophy, Poetry, Political Movements, politics of ideas, post modernism, Power, presence, Psychology, public facade, Public Intellectual, relationships, Religion, Renaissance, Roles, Romance, Romanticism, Seduction, self-deception, Sex Appeal, Social Conventions, spiritual journey, spiritual not religious, Spirituality, Suffering, The Examined Life, The Problematic of Men, the profane, the sacred, Theism, Theology, Time, twentieth century, victims, Work, Writing, Zeitgeist
Tagged "Fiddler on the Roof", academic celebration, aesthetics, anonymous gift, anti-clerical, anti-clerical Spaniard, art history, benefactor, books on kabbalah, Brandeis University, Brazilian cafe, Catalan style, Catalonia, celebratory weekend, challah, City of Lights, communal prayer, cosmopolitan, deceptive evil, downtown Manhattan, dream of one's death, epic story, evil doers, existential choice, expensive concert, Fine art, foster father, free thinker, Friday night candles, godfather/godchild, Gruenewald "Crucifixion", handsome youth, Henri Bergson, Henri Foçillon, Jewish mysticism, last rites, Laurin Raikin, leading revolutionary, Leo Bronstein's Kabbalah and Art, Leon Trotsky, leukemia, Lower Manhattan, male friendship, Manhattan, meaningful mystery, meaningful story, men friends, moral rank, mortal illness, motorcycle accident, mystery, Narcis Serradel I Pascual, New York Public Library, nom de guerre, nonjudgmental, NYU Gallatin Division, objectivity, old Jew, Paris in the '20s, Paris in the '30s, philosophy, philosophy of art, poor Jews, precognitive dream, professors of the Sorbonne, Russian revolution, sabbath wine, seductive evil, Shabbos, shtibl, spontaneous remission, students at Brandeis, tenderness, the Sabbath, true story, undeceived, unhappy love affair, University of Paris, unseduced
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