Tag Archives: ancient regime
Landscapes of the Heart
Landscapes of the Heart I hadn’t been to Manhattan (my home town) in over two years. But last week I went into town to meet my life-long friends, Frank and Ada, at the Neue Gallerie on 86th and Fifth. That’s … Continue reading →
Posted in Absolute Freedom and Terror, action, afterlife, alienation, anthropology, art, art of living, autonomy, beauty, Bible, childhood, Christianity, cities, contemplation, contradictions, cool, courage, culture, desire, dialectic, eighteenth century, erotic life, eternity, ethics, evil, existentialism, faith, fashion, femininity, feminism, freedom, friendship, gender balance, guilt and innocence, health, hidden God, history, history of ideas, idealism, ideality, identity, immortality, Jews, legal responsibility, life and death struggle, literature, love, memoir, memory, modernism, mortality, nineteenth-century, oppression, past and future, peace, political movements, power, propaganda, psychology, reductionism, relationships, religion, roles, romance, seduction, sex appeal, sexuality, social conventions, spirituality, suffering, terror, the examined life, the problematic of men, the problematic of woman, theism, theology, time, twentieth century, twenty-first century, work, writing, Zeitgeist
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Tagged 9/11/01, ancient regime, art gallery, artifacts, Austro-Hungarian Empire, Buddhist, cab drivers, Central Park, character assasination, Christian, city life, civic life, civic wounds, coquettrie, court painter, deal-making, death, death scenes, defamation, dorm life, dying, eavesdropping, Edvard Munch, Edvard Munch's "The Scream", energy, Evangelical Christian, Existential dilemmas, farewells, feminine intelligence, French Revolution, German Expressionism, gossip, graveyards, guillotine, healing, Hebrew prayer, homesickness, igneous rock, internet shopping, landscape, last words, love of New York, love of Texas, Lower Manhattan, Loyalty, Marie Antoinette, mourning, Neue Gallerie, New World Trade Center, New Yorkers, Norwegian painters, nostalgia, painting, personal identity, pied à terre, portrait painting, psalm, rebirth, recollection, Reign of Terror, repair process, reputation, resurrection, skyline, skyscrapers, slander, small shops, small town life, social wounds, sociopaths, soul of a city, Spring, Twin Towers, Viennese cafés, Viennese pastries, Vigée Le Brun, will to live, World Trade Center, World War I, wounds
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“My Inner French Girl”
“My Inner French Girl” Lately I’ve been reading a book with the charming title, Entre Nous: A Woman’s Guide to Finding Her Inner French Girl. The author, Debra Ollivier, was married to a Frenchman and lived there ten years. We … Continue reading →
Posted in action, alienation, art, autonomy, cities, class, cool, culture, desire, erotic life, fashion, femininity, freedom, friendship, gender balance, history, identity, ideology, political, political movements, power, psychology, relationships, roles, sex appeal, sexuality, social conventions, suffering, the examined life, the problematic of woman, war
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Tagged Aging, American puritanism, ancient regime, biography, Brigitte Bardot, chansons, chic, Debra Ollivier, economy, eighteenth century, Entre Nous: A Woman's Guide to Finding Her Inner French Girl, favoritism, Feminism, film stars, French Revolution, Fulbright scholars, fun, Jeanne Moreau, Les feuilles mortes, looks, Marie Antoinette: The Portrait of an Average Woman, Mme. de Stael, national debt, Paris, perfect pitch, pleasure, queen, sex, sexiness, Stefan Zweig, style
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