Tag Archives: Philistines’ Greek origin
I Was Politically Correct for 15 Minutes
I Was Politically Correct for 15 Minutes It happened like this. I was remembering a case I know of, where a young woman, who had her whole life before her, was being forced into the sealed back of a truck. … Continue reading →
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Tagged Amalekites, annihilation of Israel, “Beautiful Soul”, better angels, biblical conquest narratives, Canaanites, collective victimization, commemorating veterans, country music, devil in the details, epiphanies, European colonialism, European hegemony, false consciousness, fiddle and guitar, giving victims voice, Goethe’s “Confessions of a Beautiful Soul”, Goethe’s “Wilhelm Meister's Apprenticeship”, Great Britain’s mandate, guilt in wartime, Hank Williams, Hank Williams’ “Cold Cold Heart”, Hegel’s abstract universal, Hegel’s concrete universal, hitchhiking, Hittites, Holocaust, innocence, intersectionality, Israel’s covenant, Jebusites, making visible, manicure, moral outrage, Mozart concert, Nazi killing methods, neuropathy treatments, nonviolence, Occupation by Jordan, Occupation of Palestine, Occupation of West Bank, Occupations in history, oppressed people, Ottoman Empire, P.C., paradigm shift, peace and love, Philistines' Greek origin, philosopher friends, politically correct, pre-holocaust Germany, promised land, public and private, pure motives, purity, rednecks, rednecks and racism, religionist, salon, school children, Shoah, state of Israel, supersessionism, The Bible, UN mandate, unworldliness, veterans, Veterans Day, Willie Nelson’s “Roadhouse”, worldview
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