Tag Archives: Parisian deconstructionist
How Hegel Helps
How Hegel Helps A British analytic philosopher friend read my “Obit” column of last week and noticed that I’d spent some of my professional time with G. W. F. Hegel, the nineteenth-century German philosopher. He emailed to ask what on … Continue reading
Posted in Absolute Freedom and Terror, absurdism, academe, action, afterlife, alienation, American politics, anthropology, art, art of living, atheism, autonomy, bad faith, books, bureaucracy, cities, class, conformism, contemplation, contradictions, courage, cultural politics, culture, desire, dialectic, eighteenth century, erotic life, existentialism, exploitation, faith, fashion, female power, femininity, feminism, films, freedom, friendship, gender balance, glitterati, Gnosticism, guilt and innocence, Hegel, hegemony, heroes, hidden God, hierarchy, history, history of ideas, idealism, ideality, identity, ideology, idolatry, immorality, institutional power, life and death struggle, literature, male power, masculinity, master/slave relation, memoir, memory, modernism, moral evaluation, moral psychology, nineteenth-century, novels, oppression, past and future, Phenomenology of the Mind, philosophy, poetry, politics of ideas, postmodernism, power, propaganda, psychology, public facade, public intellectual, radicalism, reading, relationships, religion, roles, romanticism, scientism, secular, seduction, self-deception, social climbing, social construction, social conventions, social ranking, spiritual journey, spiritual not religious, status, status of women, suffering, terror, the examined life, the problematic of men, the problematic of woman, the profane, the sacred, theology, time, twentieth century, twenty-first century, victimhood, work, writing, Zeitgeist
Tagged 19th-century German philosophy, a man’s world, advice for women, American universities, Ariadne’s thread, before and after WWI, boundaries on desire, British Analytic Philosophy, cultural era, cultural fad, cultural platforms, cultural studies, culturally relative truth, culture as way of thinking, defining an era, defining culture, empathy, fashionable feminism, female passivity, flappers, girls in the 1920s, Henry James, ideology v experience, intellectual fashions, intellectual groupie, key motivation, life as evidence, literary studies, lived experience, men and feminism, opinion-shapers, Parisian deconstructionist, Parisian intellectuals, Parisian post-moderns, philosophy in the Anglosphere, philosophy of history, Presentism, professional philosophy, queer studies, search for truth, the Absolute in culture, the downfall of a culture, the end of an era, the humanities, The Jazz Age, the right questions, thought-forms, WB Yeats’ The Second Coming, why cultures fall, women’s liberation, women’s studies, World War I
3 Comments