Tag Archives: literary powers
Loyalty to Origins
Loyalty to Origins* What you and I would like to achieve in our identity politics is purity. We don’t want to be double — or a double-crosser. We want to be single-minded. As Leo Bronstein, whom I’ve cited before in … Continue reading →
Posted in absurdism, academe, action, afterlife, alienation, art, art of living, atheism, autonomy, beauty, Biblical God, books, cities, class, conformism, contemplation, contradictions, cool, courage, courtship, cultural politics, culture, desire, dialectic, erotic life, eternity, ethics, existentialism, exploitation, faith, fashion, freedom, friendship, gender balance, glitterati, guilt and innocence, health, hegemony, heroes, hidden God, hierarchy, history of ideas, id, idealism, ideality, identity, idolatry, immorality, immortality, institutional power, Jews, Judaism, life and death struggle, literature, love, male power, masculinity, master, memoir, memory, modernism, moral action, moral evaluation, moral psychology, morality, mortality, novels, ontology, oppression, past and future, philosophy, political, politics of ideas, postmodernism, power, presence, promissory notes, psychology, public facade, public intellectual, reading, reductionism, relationships, religion, roles, romance, secular, seduction, self-deception, social climbing, social construction, social conventions, social ranking, spiritual journey, spiritual not religious, spirituality, status, the examined life, the problematic of men, the profane, the sacred, theism, theology, time, twentieth century, work, writing, Zeitgeist
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Tagged Anne Fadiman’s The Wine Lover’s Daughter, Barbara Fisher, battle of words, British acculturation, character challenge, Clifton Fadiman, college friendships, Columbia archives, Columbia class of 1925, establishing authenticity, friends and rivals, getting each other’s number, Henry M. Rosenthal, Henry M. Rosenthal’s “Inventions”, identity ambivalence, identity loyalty, identity politics, identity purity, ignoble victories, Jewish authenticity, Jewish intensity, Jewish Theological Seminary, John Vaughan, Leo Bronstein, Lionel Trilling, Lionel Trilling/Henry Rosenthal correspondence, literary powers, living as a Jew, loyalty to origins, male friendship, male rivalry, male status, non-Jewish surnames, obsessively Jewish, one-upmanship, passionately Jewish, Sidney Hook, spiritual adventure, stylish imperturbability, talented classmates, the false and the genuine, The Menorah Journal, the name Trilling, Trilling/Rosenthal friendship, unflappable snobbishness, verbal sparring, who is more authentic, writers fictionalizing writers, writers on writers, youthful genius
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